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Sometimes, when we'd shiver in the night together,
I'd tire and get up in the morning after we'd
fought for the tattered, hole-laden covers, all threads
exposed and dangling. I'd move to the couch to sleep
a little longer because I hadn't the heart
to wake you or break your dreams, fragile as they are.

The cats would nestle for a few hours
behind your warm neck, purring together
their black and white tails entwined in a heart
shape -- remember? almost the same way we
held each other's hands the first time we slept
in your bed. You caught me pulling the threads

of your old t-shirt, worm-like threads
that tickled my skin. An hour
later, when you were fast asleep,
I resumed.
                 Breakfast together
was always a mess in our wee
kitchen, but I still drew small hearts

on your toast. Your own heart
I'd mended with needles and threads
so often before. We'd
then sink into bed, our
brittle togetherness
always healed in our sleep.

We often sleep
with heavy hearts,
though together,
bound with gold threads
linking us, our
dreams. Still, we —

we
sleep,
our
hearts
threaded
together.

As we quietly breathe, sound asleep,
our hearts beat loudly inside, together in unison,
And my fingers are curled around the blanket threads.
©2007-2009 ~nepasavaler
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Submitted: March 5, 2007
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Author's Comments

Worked and reworked till the very end. Took a long time.

Form is a sestina, particularly inspired by Miller Williams' The Shrinking Lonesome Sestina, in terms of the "shrinking" aspect.
Each line in the first stanza has 12 syllables. In the second, each line has 10. Third, it's 8. Fourth: 6 (except for the one line). Fifth: 4.
The sixth is a little different in that it works with words, rather than syllables.

The sentence in that sixth stanza is from my poem, Losing: [link]
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Comments


Wow... well thought out, a little whimsical and alltogether impressive in its imagery and execution. There are so many little things to discover in this piece that I feel that I have only scratched the surface after 2 reads. For now, I'll just say that I love the break in stanza 3 between night and day. And that you twirl the threads of imagery and thoughts through the poem with a masterful and delicate finger. Lol... I don't normally gush with praise, but this was a top class piece of writing worthy of your talent. Fave!

--
Fear is the darkroom where negatives are developed.
Thank you, thank you! I'm so glad you liked it. I wasn't quite sure about its quality -- after spending so much time with it. :)

--
Ω
~lost-souls *poetic-forms *france *francophones

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